Spatial audio represents the next generation of sound with its revolutionary audio experience and true multi-dimensional sound and clarity. Compressor can also transcode Canon Cinema RAW Light video files to other professional formats like ProRes and H.264 for the first time, and Watch Folders make it simple to automatically encode content placed in a selected folder in the file system. On the new MacBook Pro, Compressor can transcode HEVC video up to 2x as fast and transcode ProRes video up to 10x faster. And a new Neon filter adds an eye-catching glow to images, shapes, text, and more. Graphic artists can now combine object tracking with masks, shapes, 3D objects, behaviors, and filters for stunning visual effects. With Motion on the new MacBook Pro, a complex project renders up to 2x as fast and can play two streams of 8K video at 5x the frame rate. By simply clicking on a face or object in the viewer, editors can add or delete focus points, all without having to reshoot.įinal Cut Pro companion apps Motion and Compressor also received updates today. Videos recorded in Cinematic mode on the new iPhone 13 lineup can be edited easily with Final Cut Pro and Motion®, giving editors the ability to adjust the depth effect of any shot and use keyframes to change it over time. Object tracking analysis is up to 5x faster on the new 16-inch MacBook Pro, and takes advantage of the machine learning capabilities of the Neural Engine in Apple silicon to accelerate the detection of faces and objects in video. Today’s update also introduces a new Object Tracker that lets video editors quickly and easily create eye-catching animated graphics that follow the movement of faces or objects in a video. Video editors can now play seven streams of 8K ProRes at full resolution - over 230 million pixels - and export ProRes video over 5x faster than before. The app also takes full advantage of the major performance gains enabled by M1 Pro and M1 Max in the all-new MacBook Pro. “With the combination of powerful new features in Final Cut Pro and Logic Pro, and the unprecedented performance from the MacBook Pro powered by the all-new M1 Pro and M1 Max, pros will be able to push the limits of their creativity like never before.”įinal Cut Pro comes with innovative new features that allow editors to create beautifully tracked motion graphics and edit Cinematic mode videos recorded on iPhone® 13 and iPhone 13 Pro. “The world’s most creative people use Final Cut Pro, Logic Pro, and the Mac to make the memorable movies, TV shows, online videos, songs, and soundtracks that we all enjoy,” said Bob Borchers, Apple’s vice president of Worldwide Product Marketing. Final Cut Pro and Logic Pro are Universal apps that build upon the breakthrough performance and pro capabilities of macOS® Monterey, and both are available today on the Mac App Store®.

And musicians can use up to 3x as many plug-ins for recording on the all-new MacBook Pro with M1 Max. Logic Pro, Apple’s pro music creation software, now comes with a complete set of tools for authoring spatial audio music - allowing anyone to mix and export their songs in Dolby Atmos for Apple Music®. Final Cut Pro also introduces a new Object Tracker that uses machine learning to automatically detect faces and objects, and match their movement to create beautiful, cinema-quality titles and effects on any Mac. Professional video editors using Final Cut Pro on the new MacBook Pro can perform tasks never before possible on a Mac®, like the ability to play seven streams of 8K ProRes™ or color grade 8K HDR video with the new Liquid Retina XDR™ display - a first for any notebook.

CUPERTINO, Calif.–(BUSINESS WIRE)–Apple® today updated Final Cut Pro® and Logic Pro® with powerful new features for creative professionals, and optimizations that take full advantage of the power and performance of the M1 Pro and M1 Max chips in the all-new MacBook Pro®.

Final cut m1